Friday, October 24, 2008

Year of Eastwood #52

Any Which Way You Can (1980)

Starring: Eastwood, et al
Directed by Buddy Van Horn

The first rule of Fight Club … long before Edward Norton made up that world of soap and underground fist fighting, Clint lived it. Making scratch by fighting thugs until one ends up a bloody heap on the asphalt, then drinking away all the winnings at the local honky-tonk. No existential meaning necessary.

Year of Eastwood kicked things off with Every Which Way But Loose. A film that at first looks pretty flimsy. But underneath the monkey jokes and crappy music, there’s a story of an average guy struggling just to put a little Devild Ham brand meat-substance on the table. He probably drinks too much to forget his woman troubles and although right now he’s successful at these - what I assume would be illegal - organized brawls, Clint knows that one of these days he’s going to run into someone bigger, faster, and stronger than he is.

Well fifty-one movies later, not much has changed for Clint in Any Which Way You Can. He’s still fighting and drinking and trying to get Clyde laid. Yep, after a long negotiation period, Clyde the orangutan agreed to appear in the sequel. There was a long list of demands. Clyde wanted his own screen time … an odd musical tribute to Clyde swinging around on a tire swing. He gets to crap in some cop cars and, like all A-list celebrities at the time, he gets to bust up a hotel room to impress what I can only assume is an orangutan prostitute.

The rest of the gang is back as well. Ruth Gordon as the foul mouthed old lady. She doesn’t really have much to do in the sequel. Just run around complaining about Clyde, that damn hairy-assed banana head (which I believe was in the original script for Planet of the Apes). Then she disappears about half-way into the film … not really sure why.

The biker gang is back as well as the lunk-head cops. The Nazis didn’t make the final cut in this one. Guess they had things to do. And, of course, due to overwhelming popular demand - Sondra Locke returns once again as the talent-less country singer who broke Clint’s heart in the first film. Within a few scenes of the sequel … and a couple of crappy Sondra songs … she’s back in Clint’s bed. No one can resist that Sondra charm.

Clint’s never been much of the romantic lead type. He’s an action hero and more of a love ‘em and leave ‘em type. In Every Which Way, he was just an average Joe Six-Pack who didn’t get the girl in the end (so long, Sarah Palin). To just push that aside just to put Clint’s girlfriend in another movie ruins the appeal of the first film that even Hollywood movies don’t always have the happy ending. I have no problem with Clint cashing in on a retread of a successful first film, but this fact just makes the second film feel totally unnecessary.

I hate to end this blog on such a negative note, so here’s some more stuff about Clyde… He gets to tear up a couple of cars in the movie. Little known fact, Clyde was the inspiration for the TV series, Alf, but he always maintained that he never ate no cats.

So Clyde’s career pretty much came to an end with Any Which Way, but he did get in on some of that Clint one-liner action. Right turn, Clyde. Which I still use to this day whenever I‘m bustin' up some wiseacre at the local pub.

I’m choosing to ignore the fact that in the sequel, Clyde was played by a different monkey.

Sunday, October 19, 2008

Year of Eastwood #51

...Et Pour Quelques Dollars de Plus (1965)

Starring: Eastwood, Lee Van Cleef
Directed by Sergio Leone

It’s clean up time. After topping 50 movies and TV programs, Year of Eastwood has just about wiped out the entire Clint library. The classics have been included (Dirty Harry), along with the Academy Award winners (Unforgiven), the forgotten (Breezy), and the clunkers (Pink Cadillac). That doesn’t leave too many options left for the final two entries of Year of Eastwood.

Earlier in this series, a slew of westerns were covered. Burnout was definitely a factor while watching ten of Clint’s westerns … and too be honest, two of the Spaghetti Westerns seemed like enough so I probably wasn’t missing much if I skipped For a Few Dollars More. Plus, I had to fit Paint Yer Wagon in there...

The classic - The Good, the Bad, and the Ugly - was truly a master of film making. The infliction of humor with the gripping story of greed in the Wild West - along with a musical score for the ages - ranks this film as one of the greatest westerns ever made.

The original film in the series, Fistful of Dollars, introduced American audiences to the Spaghetti Western genre. Gritty, bloody scenes tell this story of the lawless West where there’s nary a good guy in sight. So what did the second film in this trilogy have to offer…

Not much new here. Clint is a bounty hunter, riding around in search of his next payday. Van Cleef is a rival bounty hunter as they cross paths hunting down a pack of outlaws which will pay off in upwards of $40k. These days, $40k won’t even get Paris Hilton to show up at your nightclub.

Eventually, the rivals team up to take down the gang ... wanted dead or alive - which pretty much means dead. Turns out Van Cleef has more personal reasons for wanting to take down the head gringo, so once again Clint rides off with the entire bounty.

The most intriguing aspect when observing this trilogy as a whole is that the films are not really a trilogy at all. Sure Clint is the mysterious stranger, who may or may not in fact have a name. But it’s not even clear if he’s playing the same character between all films. In fact, a few actors appear in the films portraying different characters. The films don’t seem to align chronologically, as the third film apparently takes place before the first film. Or is it that the second film takes place after the third film? I'm confused.

The films play out more like fables from the Old West. The players may be interchangeable - riding along the dusty trails - but it doesn’t matter who they are. It’s more about the stories that made the West so appealing and dangerous. The wide open plains, the opportunity for wealth … the lawlessness, the greed, and the gunfights.

For a Few Dollars More stands alone as an entertaining film, but fails in comparison to the best of the series and still champion … the Good, the Bad, and the Ugly. A recent study concluded that certain films, such as the Good, the Bad, and the Ugly, have been scientifically proven to increase brain activity. My own personal study indicates that Pink Cadillac in fact destroyed some brain cells. Brain cells that I might need as I get older. Thanks a lot Bernadette Peters.

Monday, October 6, 2008